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Bedlam in Charlotte – Emmett Rensin

The story was shocking enough as text, but it was the images that burrowed into the American imagination: Patients huddled naked in freezing, concrete wards; men and women strapped to wooden benches for hours on end, left to shit themselves while the staff ignored their pleas; one photo, less explicit but particularly haunting, of a woman in a gown lying in the fetal position, alone on a sterile floor. “Bedlam 1946,” published in the spring of that year by LIFE, documented conditions inside of two public mental hospitals: Ohio’s Cleveland State and Pennsylvania’s Byberry, where “thousands spend their days—often for weeks at a stretch—locked in devices euphemistically called ‘restraints’… hundreds are confined in ‘lodges’—bare, bedless rooms reeking with filth and feces … by night merely black tombs in which the cries of the insane echo unheard from the peeling plaster of the walls.” On “the stone wall of a basement appropriately known as the ‘Dungeon’, one can still read, after nine years, the five-word legend ‘George was kill here 1937.’”

The story’s author, Albert Maisel, insisted that these two hospitals were not outliers. He quoted a report from another hospital, where attendants “slapped patients in the face as hard as they could” and “pummeled them in their ribs with fists”; he relayed the testimony of an attendant who had “seen coleslaw salad thrown loose on the table, the patients expected to grab at it as animals would.” As a result of “public neglect and legislative penny-pinching,” Maisel wrote, “state after state has allowed its institutions for the care and cure of the mentally sick to degenerate into little more than concentration camps on the Belsen pattern.” This was no idle charge: It had only been about a year since Americans had first seen photos from the Nazi camps, and the comparison stuck. 

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